carrie prom scene analysis
And though you know what's coming, the scene still works fantastically. Trying to overrun her, Carrie sends Chriss car flying through a wall, killing them. To create a surreal effect, the shot was filmed backward. Based on Stephen King's first published novel, the story centers on Carrie (Sissy Spacek), a timid teenage girl who is bullied in school by popular girls and tormented at home by her fanatically religious mother (Piper Laurie). The fact that there is non-diegetic and diegetic sound but no dialogue may suggest that the impending violence cant be justified by verbal means, instead what happens is based on the heat of the moment. The film that resulted after excessive studio tinkering is much closer to de Palmas movie than Kings novel. thissection. Her kindness is a heartening alternative to Margaret's paranoia, unthinking cruelty, and emotional dislocation. While Carrie Fisher, Glenn Close, Linda Blair, and others auditioned for the title role in Carrie, director Brian De Palma was set on casting Amy Irving in the role. In Carsons version, it is while Sue is literally breathing the life back into Carrie that she sees inside her head. This version strands the supporting characters between realism and archetype, an awkward spot. The universal agreement seems to be the story is about a repressed young girl blossoming into womanhood with a vengeance. Carrie suffered because of her mothers fanatism and guilt. Quite a large percentage of those millions of words of analysis delve into the symbolism of blood throughout the novel and connection between Carrie Whites telekinetic powers manifesting so soon after her first menstruation. We may earn commission from links on this page, but we only recommend products we back. Carrie Prom Scene | emmajoannorman Becoming prom queen was a realization for Carrie, and even after she felt that being crowned would be one of her best memories, it became the sole memory she dreaded. Prom Dress. However, Nancy Allen was already promised the role of Sue Snell, so De Palma cast her as Chris Hargensen instead. As she steps onto the stage, Chris pulls the bucket spewing pig blood all over Carrie. In screenwriter Bryan Fuller and director David Carsons adaptation, no one gets haunted by Carrie, either literally or figuratively, because Carrie doesnt die. In this version, Carrie gets to be the Final Girl. Stephen King also pushes the storys narrative with the gruesome explanation of terrible events; this employs Hyperbole. Margaret was born into an average family. To remain in the character's tormented headspace, Spacek returned to her trailer after three full days of filming and would sleep in her gore-sodden wardrobe. The camera stays on the gravestone as Sues black-booted feet walk away and an electric guitar riff starts up. One story. The gruesome nature of the novel made Stephen King feel disconnected from the main character as he could not fully indulge in Carrie . However, she discovers herself, and her life completely changes. This shot intertwines the sequence of the photographer in an iris shape; this creates an almost psychedelic atmosphere which is a staple of the 70s. Every Wednesday we .css-umdwtv{-webkit-text-decoration:underline;text-decoration:underline;text-decoration-thickness:.0625rem;text-decoration-color:#FF3A30;text-underline-offset:0.25rem;color:inherit;-webkit-transition:background 0.4s;transition:background 0.4s;background:linear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webkit-background-size:100% 200%;background-size:100% 200%;}.css-umdwtv:hover{color:#000000;text-decoration-color:border-link-body-hover;-webkit-background-position:100% 100%;background-position:100% 100%;}show you a great scene from film history you may remember, you may not and then we break it down for you. Brian De Palma has forged a reputation as a director who often pays homage to his cinematic idol, Alfred Hitchcock. On discovering she got denied going to prom, Chris swears revenge on Carrie, which is one of the major themes in Carrie. It led to issues with religious groups who felt he pushed the limits on religion and took it too far. This is tragedy. In the end of Deliverance, the protagonist is jolted awake by a nightmare of the sadistic cannibal strangers who hunted him throughout the film. As Carrie dies Sue is able to offer company and the comfort of knowing at least one person meant her no harm. This adaptation was intended as a backdoor pilot for an ongoing Carrie television series (it wasnt picked up). Carrie is not the monster; she is Carrie the good Christian girl. Interiority is not the provenance of the novel alone. In contrast to DePalma's version, Carrie's mom seems less a standard-issue, frothing-at-the-mouth "religious nut" movie character than a mentally ill single mom, eking out a living as a seamstress and dry cleaner. Carrie dies in Sues arms, and the novel ends with a hint that suggests there is another person with the same powers Carrie possessed. Carrie gets home and asks her mother why she hid the truth of menstruation from her, but instead of explaining, her mother begins quoting false scriptures, and when Carrie tries protesting, her mother locks her up to pray in a tiny closet, which freaked her. Though the story is fictional, its elements of realism push the mind of its reader to the extreme. Not knowing anything about menstruation, Carrie freaks out. A man patronizingly tells Sue that she was under an enormous amount of stress and asks if its possible that what she witnessed was a natural act? De Palmas film also reduces the role Sue plays in the story and the depth of her characterization. If we accept that Carrie has suddenly become a ghost, we can be reasonably sure she isnt haunting Sue. Carrie walks to the roadhouse where she was conceived and destroys it, killing Billy and Chris. The novel ends with a cliffhanger suggesting that Carries powers still existed and that a young girl inherited them. In the beginning of my section, pages 217 to 290, Carrie is onstage at the prom and just won prom queen. In the original script, a hail of rocks and boulders rain down on the White's house and crush the structure to rubble. However, no matter how hard she tried, she was always rejected by her peers. So too is the Bates Packing meat-plant seen later in the film. With her flowing white gown and colourful bouquet, Sue appears more bridal than funereal, but any implication of an eternal connection between the two girls seems at odds with the way de Palma underplayed Sue throughout the rest of the film. Carrie essays are academic essays for citation. One thing Carrie wanted was to have revenge on the people who tormented her. Miss Desjardin, the gym teacher, walks in to save Carrie and orders everyone out. 10 Differences Between Carrie Remake & Original 1976 Movie. Before they break.. She doesn't magically become the girl every guy fantasizes about. Spacek also examined the body language ofthose stoned to death for their sins. The first "Carrie" was horror. Sue gets her period in the final paragraph). Carrie locks her classmates inside the school and unleashes terror on them by electrocuting and burning them to death. Bullying Motif. This Carrie White (played by Chlo Grace Moretz of the "Kick-Ass" films) is more conventionally pretty than the scrawny, big-eyed misfit played by Sissy Spacek in DePalma's classic. Rather than focusing on the blood per se, consider who is always there in concert with the blood, using it to taunt poor Carrie. Stephen King, on publication, admitted thatCarriewas a feminist novel. However, viewers can spot the optical illusion when a car in the background drives down the street backward. The sound is a non-diegetic orchestral piece with a heavy use of violins (which play as a homage to Bernard Herrmanns score for Psycho). De Palma opted to keep the shot in the film, even though Soles was so badly hurt that she could not hear out of one ear for the following six months before the eardrum eventually mended. The high-school in the film is named Bates High after Norman Bates in Psycho. A man patronizingly tells Sue that she was under an enormous amount of stress and asks if its. Carrie (2013) - Prom Scene (Re-Scored) - YouTube had a famously troubled production and post-production. Carrie Climax Prom Scene - Classic Scene - Esquire write out a theme statement for Blood in the book. Frankly, though, it reads less like a thoughtful addition to the rest of the film and more like a half-hearted capitulation to the genre dictate to end on a scare. Sue screams, jolting the viewer back to reality and to Sues living room, where she is writhing and wailing while clutching at her wrist. In this version, Carrie gets to be the Final Girl. Carrie's body-shame was handed down by her mom, who's first seen in a prologue giving birth to Carrie, then briefly considering killing her with the same scissors she will ultimately use to cut the cord. But she was just like me. Sue is disdainful of the future she very easily sees for herself, the same future as so many other girls like her: marrying her high school boyfriend, never leaving town, and joining the local country club. The community's original sin was attacking Carrie in the shower, humiliating her for manifesting signs of Eve's "curse." The easiest answer might be in the question: Kings ending is highly novelistic. Her body is perceived as possessed by an introject of an intrusive, domineering,. After receiving her first period, she acquires telekinetic powers, which turns her world around; especially since she did not understand what the change meant for her as a new woman. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Your email address will not be published. Carrie got tormented by her mother, who seemed to be far from reality; this forced Carrie into social ostracization and limited mental capability. A primary fault for Carrie being a social reject in her school was her mother, who was a religious fanatic. Gender, sexuality and representation throughout each Carrie adaptation She was so cut off from the real world that she thought she was dying after getting her period for the first time. Carrie Themes and Analysis . Psychokinetic retribution. Its about the horror of being alone in the dark. Chris is the Something unutterably evil who stinks of parking lots and roadhouses and not only has the power to make Carrie feeble, but constantly tries to use that power. Pierces original aim was to to be a reinterpretation of Kings novel; there are rumoured to be 40 minutes of cut footage, including filmed versions of many of the White Commission. After you claim a section youll have 24 hours to send in a draft. Carrie Film Analysis - 1019 Words | Internet Public Library I will be focusing on the iconic prom scene which serves as the climax of the film, as Carrie takes revenge on her high school bullies after constantly being tormented. The reader will see that most of the people in the story that were in the town of Chamberlain talk about Carrie White as if she were a monster. Whatever the genre. The story of Carrie begins in a locker room after a young teenage girl, Carrie, finishes attending gym class. The character of Norma (P.J. The script has Chris be exaggeratedly "evil" when it serves the plot, but life-sized elsewhere. Carrie leaves her house and makes her way to the road where she meets Chris and her boyfriend. Carrie is a perfect example. . Carrie movie review & film summary (2013) | Roger Ebert With her arch-nemesis being Chris, Carrie wanted to exert the worst kind of vengeance on her. The shot was achieved by setting the two actors, Spacek and William Katt, on a platform that rotated in one direction, while the camera tracks in the opposition direction. Sue Snell is one of the many girls who throw tampons at Carrie in the shower. Brian De Palma's Carrie is all but unanimously praised as one of the scariest horror movies of all time. Curiously, for such a secular movie, this "Carrie" lends Biblical significance to every blood drop spilled. There is no dialogue present in the scene apart from a sonic flashback; the lack of dialogue intensifies the action and encourages the audience to pick up clues from visual exposition. She has telekenesis, the ability to manipulate things without touching them. It is a scenecomprised of telepathic communication. hallucination, then pulls of her wig and stars pensively into the distance. Its after this point that things take a turn for the nonsensical. Moore's Margaret is a purely pitable figure who scratches and cuts her own flesh, and who cannot love herself, let alone a child. Unlike in de Palmas film, there is no indication that the gravestone shattering moment exists in the context a dream: Sue doesnt even see the stone shatter, only the audience does. Stories change in the telling, though, and as they do, so do endings. Instead she very deliberately and maliciously destroys her towns water supplies before dousing as much of it as possible it in gasoline and setting it on fire. Carries terror kills hundreds of people. The final paragraph reinforces the connection between Carrie and Sue by mirroring the novels opening trauma, only this time it is Sue who feels blood run down her legs. Mentioning Stephen Kings classic 1974 horror novel likely calls to mind one of two iconic scenes: Carrie getting her period for the first time in the school shower and being pelted with tampons as her classmates scream Plug it up! or Carrie wreaking fatal havoc on a gym full of students after being drenched in pigs blood just as she was crowned prom queen.
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